Published by : Rock Hard
Magazine
Germany
Interviewer : Götz Kühnemund
Published on : June / July 2003
Kings of commerce?
In the past months a lot of
criticism was uttered upon Manowar. A quick glance into our letters to the
editor tells you, what we’re talking about. Total sale-out. Commercialisation
regardless of losses. Releases – overkill. Disappointing shows. Lacking ability
to deal with criticism. On the other hand Manowar are consistently doing
suprisingly well in readers’ polls, which shows that they polarise more than
ever. We arranged a meeting with Joey DeMaio and let him know in the run-up to
our interview that the following talk is not going to be an exchange of
neatnesses…
RH: When was the last time
that someone really pissed you off?
DeMaio: “The day before
yesterday, yesterday, today. That’s the story of my life: All the time people
are trying to kick my ass. What’s so new about that?”
RH: And when have you been
hit really hard by someone?
DeMaio: “During my highschool-time.
Back then I trained at Dan Lee’s Kung-Fu-School in Chicago – together with a
girl who wanted to “kick my balls up to the chin”. She was so energised that if
she could she would have killed me. I simply did not manage to really attack
her, so at the end I was the loser. But my balls luckily survived.”
RH: And since then nobody
really kicked your ass?
DeMaio: “Not in physical terms
– but of course, I know what you’re up to. Journalists are mocking about the
band, while most of them don’t get beyond ‘I hate Manowar, I hate their music!’
I don’t think that’s very original. However, there have been some critics who
tore us limb for limb, who were very talented. When someone tried hard to mock
MANOWAR then I really like to read it. I always appreciate serious work, because
it rises the pressure of competition in this business.”
RH: I don’t want to talk
about the criticism of people who don’t like MANOWAR as a matter of principle.
There have been always some of them and they always will be there. I’d rather
want to confront you with the criticism of your truest fans.
DeMaio: “I know.”
RH: Of course I’m referring
to the letters to the editor from the past months, where you have been accused
of a lot of things by – mind you - true fans. I know that you have read those
letters.
DeMaio: “Then let’s talk about
concrete points of criticism.”
RH: Many people for
instance have complained about all the re-releases of old Manowar-records: Too
many “Collector’s Editions”, new live-releases each two weeks, too much warmed-up
stuff, but too few new songs.
DeMaio: “All that is not new
to me. Already with ‘Into Glory Ride’ the animadversion on MANOWAR started. The
record was thought to be ‘too commercial’ back then, even though it belonged to
our most extreme releases. Already back then I’ve been laughing about such
cutups. The people will always find good things and bad things about your work,
no matter if your name is MANOWAR or whatever else. As soon as you’re releasing
anything, there will be people who like you and people who don’t.”
RH: Sure. There are also
some at Rock Hard and in our readership. In former times it was equally spread.
When there was a negative letter concerning Manowar, then two weeks later there
were positive ones. However, lately this ratio unhinged a bit: The negative
criticism clearly prevails – even though you still came off very well in the
readers’ polls.
DeMaio: “That’s not only the
case with Rock Hard. It applies to the whole of Europe.”
RH: Right. Your die-hard-fans
love you the more the public hates or sniggers at you. That’s because MANOWAR
were pretty much the only ones at the beginning of the 90s who kept up the
banner of the all-out, true metal with all its clichés. That’s what the fans
sanctified you for, and that’s also what I love you for. But just the same
people are of the opinion that Manowar changed over the last years, and not
always to your advantage – that’s what we should talk about.
DeMaio: “Okay, I’m ready to
talk about that, even though I can’t really understand that criticism.”
RH: One thing I can
understand pretty well is the thing with the censorship on the official MANOWAR
homepages. People who’re criticising you on the boards there are kicked out. Of
course they are then calling up to the magazines like Rock Hard and are more
than ever mad about you.
DeMaio: “That for you first
have to understand, how our web-ring works. The people working there are
exclusively people loving the band and whom I trust absolutely. These people are
honest and diligent – and they’re doing the job FOR the others Manowar-fans.”
RH: Okay, okay, but that’s
also true for other band-pages…
DeMaio: “No, that’s the point.
Most bands hire professional firms to manage their homepages. Maybe the fans
there believe that they’re really contacting the bands, but they only get
automated response e-mails, which are only sent in the name of the musician.
THAT is bullshit! Our fans are getting personal answers from other fans who have
proved their loyalty over the years.”
RH: Nobody doubts that. But
it is a fact, that criticism concerning MANOWAR is not tolerated by the
webmasters or by you. But fans ALWAYS have the right to complain. Finally they
are the ones who have bought the records.
DeMaio: “Right! That’s what
our boards are for. The people can discuss about what they want to and are
getting information at first hand.”
RH: But there is nothing
negative in your boards.
DeMaio: “Because that’s not
the place for that. The idea of a homepage is at first hand to provide
information. The boards are there for fans to talk about the records and the
concerts. It should be fun to be a fan of MANOWAR. They should be able to meet
other MANOWAR fans – without others being hostile to them. When there’s someone
trying to disturb the fun and causing problems he’s out.”
RH: So where in your
opinion should people complain, when they’re disappointed by a record or regard
your tickets as too expensive? Finally, we don’t kick out everybody, who is
complaining about Rock Hard.
DeMaio: “Maybe you should do
that. When someone wants to use our boards to express something in a fair way,
then we surely won’t deny the access to him. But when someone obviously wants to
discredit the band, there’s no place for him.” That was the MANOWAR policy from
the first day.
RH: So you really think
that every fan who was banned from your pages was intentionally doing harm to
the band?
DeMaio: “I am totally
confident with our webmasters – and when they’re banning somebody from our
homepage, then they have concrete reasons for that. It’s the same with our
concerts: If some assholes think they can ruin the fun for the real fans,
they’re out!”
RH: But when you’re calling
yourselves “Kings of Metal” – and please don’t say the fans called you that –
you should be sovereign enough to deal with critics.
DeMaio: “I’m sure we can. It’s
not about us, it’s about single persons ruining the jest of our fans, whether at
concerts or elsewhere. If anybody wants to enter the stage and insult me before
he’s kicked out that’s no problem! I surely won’t call the police, hahaha! The
fans can say whatever and wherever they want about us, but not on our own
homepage. In case anybody wants to show up in front of my living room window to
call me an asshole, let him do that. But I won’t ask him in.”
RH: You have put the
levelling rule so high by your thoroughgoingness, that you do have to expect
increasing critics. The spirits you have called....
DeMaio: “As long as it is
constructive criticism, there is no problem. Our fans have the right to require
from us to whatever they want. We and our crew will always do everything
possible, in order to meet these desires. We always gave 100%.”
RH: Do you really think so?
…
DeMaio: “Yes, definitely! I’m
always doing my very best. And I also require the very best from everybody else
who is somehow dealing with the band. Ask our crew or the record label, they can
support that statement.”
RH: There are people saying
that you just didn’t deliver hundred percent quality with the last album. After
all ‘Warriors of the World’ was your first studio album since 1996. Then it’s
not quite unproblematic, when a good part of the record - ´An American Trilogy´,
´Nessun Dorma´ and ´The Fight For Freedom´ - consists of experiments, foreign
style pieces or simply irrelevancies which have nothing to do on a Manowar-record.
After 6 years of waiting I as a Manowar-fan want to have a real, complete metal-record
and not a collection of soundtracks.
DeMaio: “Recall our debut:
already back then it was said that you can’t put a bass-solo onto a studio-album.
And ‘Dark Avenger’ wouldn’t be a real song, absolutely not fitting for radio.
For ‘Kings of Metal’ we wanted to work in England with an orchestra and a choir,
whereupon Atlantic avowed us maniac. We’re a metalband, we don’t need that. If I
heeded such commentaries MANOWAR wouldn’t be MANOWAR anymore.”
RH: But back then you
published records in a yearly frequency, sometimes even quicker. Nowadays it
takes 6 years for one new record. In this case “experiments” weigh more today.
DeMaio: “Right. But back then
we weren’t as occupied as today. At the beginning of our career we could hardly
go on tour, so we had more time for composing and recording.”
RH: Okay, that’s an
argument.
DeMaio: “That’s the truth, if
you can’t tour you’re sitting at home with your guitar, writing songs.”
RH: But that’s the same
with every other band.
DeMaio: “Could be. But fact
is, that in the internet-age you’re subdue to very different market mechanisms
and have many more possibilities. In the end all this costs time. Today it would
be hardly possible to write two albums like ‘Hail To England’ and ‘Sign Of The
Hammer’ at the same time.”
RH: Nevertheless you have
to face the critics.
DeMaio: “That’s what we do.
I’m simply trying to explain, why todays it’s taking longer to publish studio-albums.
Are we supposed to tell the fans in south America, that we unfortunately can’t
tour there, because the European fans are expecting a new album or else would be
pissed off? Hardly. Every musician who ever played with Manowar took an oath to
do our best to bring our music to as many metal-fans as possible. I’m not
kidding. We took that holy oath many years ago and set the seal on it with blood.
And we won’t break the oath for any kind of asshole!”
RH: But that’s no reason
for not releasing songs like ‘The Dawn of Battle’ on the record ‘Warriors of the
world’ but keeping it to release it later as a single.
DeMaio: “What do you mean with
‘keeping back’? The song hadn’t even been written at the time of the recordings.”
RH: Really?
DeMaio: “Listen closely. One
can accuse me of many things – and some things may be correct. There are things
about me I don’t like myself – like for instance that I’m not a Mozart who
writes new perfect songs everyday. And I do not have a box at home with ready-written
demotapes which I could get out on demand. As much as I wished it was like that,
the reality is different.”
RH: In other words:
‘Warriors of the world’ contains all the material that could be recorded at that
point of time?
DeMaio: “Exactly.”
RH: So you have no second
album up your sleeve?
DeMaio: “Unfortunately not. It
was my goal to write two records at the same time, like back then with ‘Hail to
England’ and ‘Sign of the Hammer’. But that didn’t work out. But we wanted to
avoid bringing out another single with already released songs. So we stopped all
activities and flew back to America and wrote two new songs for the last single.
We could have also done it like many other bands: warming up some pre-prepared
B-sides. And what does ‘B-side’ mean? It’s bullshit, not good enough for the
regular album! You’re selling an album without fill-ins and are then releasing
the fill-ins as B-sides. You’ll never ever see that with MANOWAR records! We
never did anything half-hearted and we’re proud of every single record we made.”
RH: Good. But is it
necessary to release every record in ten different shapes and colours?
DeMaio: “Yes, it is necessary!
We finally found a label that is willing to realise our ideas hundred percent!
Every product wearing the name MANOWAR guarantees quality, also the packaging.
The fans want picture discs, different colours and so on. How ‘exciting’ is a
band that releases one album and one shirt? That’s boring! Then we could also do
shows with a thinner lightshow and half the amplifiers. No, that’s not MANOWAR!
We offer a variety of products to the people, and the fans love that.”
RH: Then why are the fans
complaining about this releasing-flood?
DeMaio: “Why are porn movies
restricted in America?”
RH: No idea.
DeMaio: “If there were more
porn movies the people still had the free choice. People can buy what they want.
Nobody is forced to buy a Manowar record in three different shapes – but I think
it’s good to have the choice. We’re talking about free market economy.”
RH: And about cows that are
milked. Aren’t Manowar a pure commercial product by now?
DeMaio: “What??? Shall I
mention all those bands who build their career on merchandise, but can’t play
just one single note??? We’re only releasing quality goods – and for a big part
in limited editions! Who as a collector is interested in such rarities is able
to buy it. What’s so bad about this?”
RH: This flood of MANOWAR
products is oversaturating the market. Even the name Manowar has to suffer from
it.
DeMaio: “I don’t think so.
We’re not flooding the market and we will never do that.”
RH: Well…
DeMaio: “You stated yourself
that it took long years until we had a new studio-album recorded. Years in which
the fans missed us and asked for new songs again and again. And we wanted to
give them what they longed for, also in an optical aspect. In the past we were
mostly bound to major labels, who just don’t understand what a metal fan really
wants. This is different now with Nuclear Blast. That’s exactly why you can get
our records in different styles an not just one ordinary, boring CD. Finally
we’re able to realise all of our ideas. And when I recall former albums I think
it’s a pity that we usually only could offer one non-limited record.”
RH: But back then nobody
complained about that. And the snake bites its tail.
DeMaio: “Of course. The bigger
a band gets, the more enemies you have.. even more, when you’re called Manowar,
hahaha! I’ll send you a credo I read every time when I’m feeling like standing
with my back against the wall. (see below) We’re polarising, and with growing
success the complaints grow as well. But in contrast to most of the other bands
of our size we don’t bow under that pressure. We don’t mock about our fans and
we’re not changing our image or style. About how many other huge bands can you
say that? You’d rather see me die than going the way of certain other bands. And
I mean it. I’d rather be dead!”
RH: Stay calm…. Let’s get
to the next point: the cancelled Manowar-fan-meeting. (to remember, this meeting
was forbidden by Manowar, because it was advertised with the official band
logo.) You have covered for the financial damage by now, what I regard on the
one hand as a matter of course and on the other hand very cool of you.
DeMaio: “I didn’t really know
what it was all about until you confronted me with it and managed a personal
contact with the organisers of that meeting. These guys were really nice and
were indeed planning a real fan-meeting. I know that now and that’s why I’m
sorry that there was so much trouble. On the other hand you have to admit, that
there are many people trying to rip us off, make money behind our back and rip
off our fans. The problem in this case was, that the organisers went the wrong
way to clear things beforehand. If they had directly asked us instead of the
record-company then things would surely have gone a different way. When we were
informed about it the flyers had already been printed and the advertising had
started without the band’s agreement. And who took over the costs in the end? Me!
Not the record company, not Rock Hard, but me personally!”
RH: Next point: Stefan Raab.
Many of your fans think it’s uncool that you’re appearing in shows of such
people not quite known as “metal gods”…
DeMaio: “Hahahaha… ‘Not quite
known as metal gods…’ hahaha That’s a good one!”
RH: … but seriously.
DeMaio: “Maybe Stefan is not a
‘metal god’, but he’s got balls! I don’t care a shit about what anybody thinks
about him, because I know what he did for us. For years and years nobody invited
us to a TV show and then all of a sudden there’s Stefan Raab who let us free
hand in every aspect. We could really do what we wanted! The production, the
light, everything was set up as wished. And the equipment at this show is far
better than that of many tour-promoters in the past! We played ‘Warriors Of The
World United’ live without any restrictions. What is to say about this?”
RH: Stefan Raab is known
for mocking people in his shows. He didn’t invite you because he liked your
music, but because he could present you as “quaint relicts from the 80ies”. And
you played that game along.
DeMaio: “That’s what you say.
I didn’t fell like mocked.”
RH: Then why do you think
he invited you?
DeMaio: “Because he’s a
musician himself – and a very talented one. He can play eight different
instruments and he knows that we’re also doing a good job. He respects us and he
respects our fans.”
RH: Sorry, Joey, but I
don’t think so.
DeMaio: “If he really saw some
relicts of the 80’s in us, he could have fobbed us off with low-budget equipment
from the 80s. But he didn’t do that. We had the best light, the best sound and
all support we needed. You can think about Stefan Raab what you want, but you
can’t prove your statement. Whatever else he’s doing in his show, he behaved
more than fair towards us, he watched two or three of our concerts which he
obviously liked. He’s a class fuckin' guy!”
RH: And he opened a whole
new audience to you, which does not consist of “Die-Hard-Metal-Fans” at all…
DeMaio: “When somebody buys a
ticket or an album then I do not have the right to judge about these people. Is
a black person a worse Manowar-Fan than a white person? Is a 75-years-old not as
good as a 20-years-old? Shall we prohibit that Fans are bringing their 12-years-old
kids to our concerts? What the hell are we talking about actually? I told you,
we swore to bring Heavy Metal into the whole world! Without compromises! And
everybody supporting me in that mission is my brother!”
RH: Alright. But one can
accuse you of having done compromises.
DeMaio: “Where?”
RH: For example on the last
tour. You’re taking out an immortal classic like “Battle Hymn” from your setlist,
just to have more time for your acoustic part.
DeMaio: “Okay, but that’s what
they tell us after every tour. Why is this song missing? Why is that song
missing? Why didn’t you have a naked girl on the stage? Why did you have a naked
girl on the stage? Why did the fan play guitar on stage? Why didn’t he? Why
Harley’s? Why no Harley’s? Why is it so loud? Why is it not loud enough? The
same shit every year! No matter what decisions you make, someone is always
annoyed. So WE only do what WE want to do and what WE think is right.”
RH: And that justifies the
decision to sacrifice the probably greatest classic of your whole career to give
the Stefan-Raab-Audience another ballad? Please, you can’t be serious about that!
DeMaio: “First: We don’t
“sacrifice” songs, though I think your choice of words is pretty funny. Second:
We have never tried to chum up with any kind of audience. We only dared to
change our program a bit, as we do with every tour, by the way. And in the
course of the years you might have noticed that our set has become ever longer,
rather than shorter. Now you complain about an additional ballad even though YOU
are always the first complaining about too short Manowar-concerts! And what do
we do? We’re enlarging our set! Right? Right! You were the one who was oh so
happy about our “Manowar-century-setlist” a few years ago! And YOU…”
RH: But…
DeMaio: “No, let me finish!
When you’re already pissing at me on tour then at least give me time to dry
myself. YOU said the show could be longer! We played TWO sets a night after that.
And we nevertheless had something new for the fans. We’re listening when someone
has an advice for us. Do you know how many fans wanted to hear ‘Master of the
Wind’ in the last years? So we included the song in our program. On EVERY tour
we’re changing some details to be able to present ever new faces of the band.
And we didn’t ‘sacrifice’ ‘Battle Hymn’! Who knows, maybe your moaning makes us
play ‘Battle Hymn’ again next time…”
RH: Why don’t you leave out
some solo parts or some of your speeches. Then you can play ‘Battle Hymn’ AND
‘Master of the Winds’ twice…
DeMaio: “My speeches?”
RH: Yes. At the Popkomm-show
last year you were talking half of the time.
DeMaio: “Yes, dammit! Because
they wanted to put me in jail! Do you think that was a joke? Do you think I’m a
dammit actor? They really wanted to jail me!”
RH: Okay. But you talked
half of the show.
DeMaio: “Half of the show?”
RH: Approximately 20 out of
50 minutes.
DeMaio: “ I’ll sit down in
front of my video recorder right after this interview and stop the time you say
I piffled! I’m really curious about that!”
RH: In case it was only 17
minutes we will set it straight. Promise!
DeMaio: Okay, no problem. Go on!”
RH: Fine! The tickets were
too expensive. Nearly twice as high as last tour!
DeMaio: “First: You know exactly that our tickets are cheaper than those of many other huge acts. Second: I have absolutely nothing to do with the prices of the tickets! No band has an influence on the ticket prices! Not MANOWAR and nobody else!”
RH: That’s not right!
DeMaio: “Bullshit!”
RH: There absolutely are
bands looking after their ticket prices. Under circumstances it has something to
do with the salary you postulate from the organiser…
DeMaio: “Bullshit! Hundred
percent nonsense! You’re hundred percent wrong! And I’ll spell it for you:
Y.O.U. A.R.E. N.O.T. R.I.G.H.T.!”
RH: Then please explain to
me, why an artist is not taking influence on his own ticket prices.
DeMaio: “Nobody can control
how much the organiser demands.”
RH: But you have contracts.
And you can’t manage certain things in the run-up to a tour.
DeMaio: “NO!
That’s pure wishful thinking,
nothing more! There is no such contract clause! The promoter calculates the
price! I have no influence on which costs they have with the advertising or how
many taxes they have to pay. I also don’t have an influence on the CD-prices!
Neither on the oil-price in middle-east or the salary of the US-president or the
price of a goddamn Harley Davidson! Who is controlling the price of one Rock
Hard-issue?”
RH: We.
DeMaio: “And why is the
magazine so expensive?”
RH: Because it’s not
possible to make it cheaper.
DeMaio: “Aha!”
RH: We only transfer price
increase of the paper or the print to the reader, when it absolutely can’t be
avoided.
DeMaio: “Aha!”
RH: So we’re taking
influence on the price wherever we can.
DeMaio: “Aha! But you’re not
always able to!”
RH: Not every time, that’s
right, but sometimes!
DeMaio: “It just isn’t
possible. Full stop. Everything is bullshit! Taxes, ticket prices and the death
are out of my control.”
RH: Okay….
DeMaio: Believe me: if I could,
I would control the prices! If I could, I would change so much in this world!
You wouldn’t recognise this dammed world! I’m living in a country where you can
drink alcohol with 21 but with 18 join the army and kill. Gimme a fuckin’ break!
I’m not responsible for the problems of this world! And neither for the ticket-
and CD-prices! What is in my power I’ll do. I’m helping the world to be a little
more worth living with my music. So. Go on!”
RH: Nevertheless I think
you should be a little more careful with that.
DeMaio: “There’s nothing to be
careful with!”
RH: There’re 20 different
concerts-agencies which would love to work with you. I’m absolutely sure, that
at least one of them would be ready to listen to you.
DeMaio: “That’s complete
nonsense! Nobody in the world will be able to control the ticket prices. Nobody!”
RH: Why are you playing at
the Popkomm and in the same second cancel metal-festivals like Wacken?
DeMaio: “Wacken? You were the
ones who cancelled the support for Wacken!”
RH: Right. But that had
nothing to do with Manowar.
DeMaio: “Then what was it?”
RH: Certain things
concerning organisation we don’t appreciate.
DeMaio: “So why do you ask me
about Wacken?”
RH: Because it’s the
biggest metal-festival and deserves a headliner like Manowar.
DeMaio: “But you don’t support
it!”
RH: You do neither. Instead
you’re playing at the oh so metallike Popkomm.
DeMaio: “So what?”
RH: You’d rather fit to
Wacken.
DeMaio: “ Where the fans are
made fools of? You want me to play THERE?”
RH: Hahahaha! Good return,
Joey!
DeMaio: “Will you kindly print
that!!!”
RH: Sure! Everything you’re
saying here is printed!
DeMaio: “That’s what I’m
asking for! And the new towel I have to get after this interview to dry myself
you’re paying too!”
RH: Hahahaha! Okay!
DeMaio: “Okay, then let’s go
on“
RH: Are you playing on the
Bundesgartenschau next year – or maybe on a real metal-festival again?
DeMaio: “Leaving out the fact
we already played on festivals like Full Force, there will be a Manowar-show at
a “real” festival next year. Don’t worry…”
RH: You had a playback-gig
at “Top of the Pops”. Was that really necessary?
DeMaio: “ That was not
playback! ‘Playback’ means that the artist is only acting like he plays. A band
like Queen was always dependent to have especially lavish parts like for example
orchestra-sequences on tape. In general it’s normal to have choirs and certain
backing parts artificially nowadays. In our case Eric sang live whilst parts of
the music was on tape - but it wasn’t fully playback.”
RH: How hard is it for you
to deal with criticism?
DeMaio: “Not at all!”
RH: It is well-known, that
you’re a clever guy, who can answer each question with a 10-minutes-monologue,
but do you really take criticism to heart?
DeMaio: “ No, never. I’m
always ready to listen when I know the source of the criticism deserves it, like
when somebody criticises me and knows what he’s talking about – but that doesn’t
change much of my opinion.”
RH: Let’s take the case
that the source of criticism are the real Manowar-fans. How much of that to you
take for yourself?
DeMaio: “In such cases I like
to listen till the end – and think about whether the criticism is justified. You
need to be ready to listen to people who can teach you something; otherwise
you’d never improve yourself. So in general I’m ready to learn – but I won’t let
some ignorant asshole provocate me. There’s that old saying by Native Americans:
Never judge somebody without having walked in his moccasins two miles. If
everybody lived after this saying, the world would be a lot better.”
RH: In how many
“poser-moccasins” did you walk?
DeMaio: “Poser-moccasins?”
RH : Yes. “Wimps & Posers”.
Or don’t you judge about your favourite enemies anymore?
DeMaio: “Hahaha! As a young
musician I’ve played enough crappy music in enough Cover-Bands to judge that
side of business. I’ve eaten dirt, played in dirty den of thieves and had more
than one low. One time I’ve even been kicked onto the stage by a promoter.”
RH: Oh, that’s nice…
DeMaio: “I’m honest! That guy
dragged me to the stage kicked me hard in my bottoms and yelled at me I should
get playing. I was half a child and learned my lesson, believe me. I know what
I’m talking about. I can also understand many of your questions, otherwise I
wouldn’t answer them.”
RH: The problem many famous musicians have is that they’re usually not really
criticised by their fans, at least not in personal talks.
DeMaio: “Of course they are!”
RH: But in most cases
rather half-hearted.
DeMaio: “No, that’s not right.
Many fans are complaining about too short tours or missing songs in the setlist…”
RH: But they don’t really
tell you all. Hardly any fan will tell his favourite musician that he produced
bullshit.
DeMaio: “Well… First I want to
say that I don’t think our real fans think we produced bullshit. After all
everything we do, we do for our fans. And most important of all: The successes
of the past year outweigh the long time of waiting for our fans and the year-long
malice that a Manowar-fan has to endure. Our success is a triumph for metal!
‘Warriors of the World’ is the most successful Metal-album in years - and this
I regard as a tribute to our fans! We wouldn’t be there, where we are if our
fans hadn’t brought us there. That wasn’t me and that wasn’t you – it were our
fans! And they deserve something special. That’s why I’m not making any
curtailment at our live-show, even though we
could have toured with a smaller P.A. and could have kept the rest of the money
for ourselves. We’re neither recording in low-cost home-studios, but rented the
Galaxy-complex. And the technicians there don’t work for a sack of rice! Do you
get that? Everything we do has to pass high-standard quality-checks. Our fans
know that. Look at the cover-artworks that are published in these days: most of
them look like some prep-school-child scribbled something. We’re using Ken-Kelly-drawings,
which are very expensive, because Ken Kelly just is the best. In all areas we’re
only working with the best of the elite: light, sound, transport, equipment,
artworks – all of the very best! That’s how we’re giving back to the fans, what
they gave to us. And believe me, our success was bloody hard work to achieve.”
RH: Thanks for your guts
and patience to talk to us Joey.
DeMaio: No problem. I’ve nothing to hide – and who has nothing to hide, has nothing to fear.”