Cirith Ungol group
This e-book is called Christian Logue’s Savage Grace Diary. Masters of Disguise is in many ways also a continuation of the ’80s metal band Savage Grace.
He was arrested in 2005 for practicing quack medicine without a license under a false identity. He later allegedly opened a clinic in the Caribbean claiming to treat cancer patients under that same identity, using unproven alternative treatments. He also reportedly runs a porn production company, and is currently using the Savage Grace website to attempt to recruit young women to supposedly keep him company. Wrote an autobiography about his time with Savage Grace, titled “Christian Logue’s Savage Grace Diary – My Life Leading the Greatest Heavy Metal Band You Probably Never Heard of.” (Metal-Archives)
Payment is here or there for only $19.95 / Add a message: Christian Logue’s Savage Grace Diary
He was arrested in 2005 for practicing quack medicine without a license under a false identity. He later allegedly opened a clinic in the Caribbean claiming to treat cancer patients under that same identity, using unproven alternative treatments. He also reportedly runs a porn production company, and is currently using the Savage Grace website to attempt to recruit young women to supposedly keep him company. Wrote an autobiography about his time with Savage Grace, titled “Christian Logue’s Savage Grace Diary – My Life Leading the Greatest Heavy Metal Band You Probably Never Heard of.” (Metal-Archives)
Payment is here or there for only $19.95 / Add a message: Christian Logue’s Savage Grace DiaryOne Foot In Hell
Page
One Foot in Hell is the third Cirith Ungol LP. It was produced by Brian Slagel and Cirith Ungol. It was released in August 1986 on Metal Blade Records and re-released in March 1999 by Metal Blade Records on CD.
Both the rare Reborn Classics double album edition of "One Foot In Hell" with Armored Saint's "Lesson Well Learned" and the limited picture LP are available from Metal Fighters.
I think this is their heaviest, most power metalish and most in your face of their albums. This is the last album with the "classic" line-up of Baker, Fogle, Garven and Flint. King Fowley compares this album to Motörhead's Orgasmatron. No bad comparation - same year and great heavy metal on both!
"Well, this is it-- the album NME readers called the worst metal album in history." writes an Amazon-reviewer. Unfortunately I cannot find the source for that.
Details:
|
|
Tracklist
|
Credits
|
Editions
|
Both the rare Reborn Classics double album edition of "One Foot In Hell" with Armored Saint's "Lesson Well Learned" and the limited picture LP are available from Metal Fighters.
I think this is their heaviest, most power metalish and most in your face of their albums. This is the last album with the "classic" line-up of Baker, Fogle, Garven and Flint. King Fowley compares this album to Motörhead's Orgasmatron. No bad comparation - same year and great heavy metal on both!
"Well, this is it-- the album NME readers called the worst metal album in history." writes an Amazon-reviewer. Unfortunately I cannot find the source for that.
In the band's own words
It's a lot different from our last one obviously. Just listen to the songs. it's so much faster, better and ballsier. I think we were before, especially on our last album... we were to... kinda eccentric. Like it was too different for people to handle. A lot of the stuff on KOTD, the songs are real good, but they were kinda arranged weird. But the new one is pretty consistent, like rockin'. Actually I prefer, myself, the really sloowww, dirge type songs. That's what I really like. And really, that kind of stuff is technically a lot harder to do. But if you stack up One Foot In Hell to either one of our other albums, it sounds so much better. If sounds like a normal record, sound quality wise. KOTD sounded like it was coming through a tin can.
It should be mandatory for Metal fans to purchase, or at least listen to One Foot In Hell and find out what "radical" really means. Shit, just look at the album cover! The music is just as wild, and that's saying a lot!-Tim Baker, Suck City interview, 1986
It's an excellent album although I thought the songs overall were not as strong as King of the Dead, and Flint’s bass seems to have gotten lost in the mix.-Greg Lindstrom
The problem with One Foot in Hell is that Brian Slagel who owned Metal Blade Records wanted to take a large role in the production of the album. I think this was the beginning of where the band started to lose control of our vision and it is evident in this record. There were solos left out or changed, and multi tiered vocals ala Styx “Serpent is Rising” that were removed. I also did not like the final mix. We also recorded the tracks in LA, whereas with the first two albums we recorded them across the street from our band studio, so we had less time and were in a strange location, which did not help the sound or mood. Brian to this day does not like me and I suppose his feelings toward me, which I have tried to unsuccessfully patch up over the years, was taken out on the band. This again probably was my personality, negatively affecting the bands success which I will never forgive my self for.-Robert Garven, Diabolical Conquest
You didn't hear the solo's of Jerry's tat were cut on OFIH or the unbelievable four part background vocals I did on 'Nadsokor' that never made it to the record. I also feel that it was mixed kind of flat.-Robert Garven, Steel Conjuring, 2000
Brian was in complete control of this project and did the final mixdown. He did a good job but he cut out allot of stuff I wanted in the final mix. There were many great guitar solos and vocal harmonies, which were deleted, which is sad.-Robert Garven, Guardians of Fate 3/02
🕜
2010-02-16
Section
Details:
Dark closer "One Foot In Hell" flods along with a riff not far from Motörhead's "Orgasmatron". It's a heavy dose of metal that again slightly suffers from too little change in the arrangement. But a cool song never the less!-King Fowley, liner notes, Jan 1999
We played in a local battle of the bands every year, we were always the best but the judges always wanted bands people could dance to, so they could have dances with the winner. Needless to say, they never knew what to make of us, we always blew the other bands away with our on stage theatrics and heavy sounds. One year we had some of our equipment stolen and were generally fucked with during one of these "competitions", the song "One Foot in Hell" was about that night.-Robert Garven, Metal Nightmare interview 2000
One Foot in Hell” was also different, but Tim revised it to be more “Sword & Sorcery”. It was originally about a Battle of the Bands where we had some equipment stolen, and even though we were the best, we lost as the promoter wanted bands that would be good for local “dances”.-Robert Garven, Sleazegrinder interview
Lyrics
The cry has arisen across the land
We're choked by the grip of the iron hand
The sting of the whip the toll of the bell
We ravage the world with one foot in hell
Up from the darkness the cauldrons of hate
The vengeance of old the sealing of fate
The screams of the damned the souls that fell
With one foot in heaven the other in hell
The savior we worship won't lead us astray
The unholy masses have seen the last day
The howl of the jackal the beast's evil stare
With one foot in hell do you think that we care?
🕜
2010-02-17 01:43:02
📄
152
⚓
212
Vision
NOT to be the most comprehensive and most awesome resource for Cirith Ungol. Disabled from 2015.
NOT to be the most comprehensive and most awesome resource for Cirith Ungol. Disabled from 2015.
Contact:
Webmaster
info [at] cirithungol [dot] org
Webmaster
info [at] cirithungol [dot] org